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HN1237
RAHMANINOV VOCALISE OP34/14 HIGH VOICE+PIANO HENLE URTEXT
15,90 €
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RAHMANINOV VOCALISE OP34/14 HIGH VOICE+PIANO HENLE URTEXT
15,90 €
Enhetspris
Otillgänglig
Beskrivning
Beskrivning
Sergei Rachmaninoff
Vocalise op. 34 no. 14 for Voice and Piano
Editor: Dominik Rahmer.
Urtext Edition, paperbound
Original Key for High Voice
with additional solo part
Pages: 20 (VII, 12, 1), Size 21,0 x 29,7 cm
Order no. HN 1237 · ISMN M-2018-1237-3.
Rachmaninoff composed his collection of 13 songs op. 34 in 1912, but it was only three years later that he added a little closing piece without any text: the Vocalise, which soon outshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive, melancholy piece has circulated in countless arrangements by others. Rachmaninoff himself made an arrangement for orchestra and voice, as well as one for orchestra alone. Our Urtext edition contains the original version for high voice and piano, and is based on the autograph sources in the Glinka Museum in Moscow. A particular highlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.
Vocalise op. 34 no. 14 for Voice and Piano
Editor: Dominik Rahmer.
Urtext Edition, paperbound
Original Key for High Voice
with additional solo part
Pages: 20 (VII, 12, 1), Size 21,0 x 29,7 cm
Order no. HN 1237 · ISMN M-2018-1237-3.
Rachmaninoff composed his collection of 13 songs op. 34 in 1912, but it was only three years later that he added a little closing piece without any text: the Vocalise, which soon outshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive, melancholy piece has circulated in countless arrangements by others. Rachmaninoff himself made an arrangement for orchestra and voice, as well as one for orchestra alone. Our Urtext edition contains the original version for high voice and piano, and is based on the autograph sources in the Glinka Museum in Moscow. A particular highlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.
