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HELLO MR GILLOCK CARL CZERNY PIANO
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Hello, Mr. Gillock! Hello, Mr. Czerny!
Delightful Piano Pieces for all Occasions
Carl Czerny (1791-1857) and W...
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EB8627
Detaljer
Czerny Op. 139 No. 24, No. 38, No. 40, No. 59, No. 72, No. 88
Op. 261 No. 69
Op. 481 No. 27
Op. 599 No. 56, No. 73, No. 86
Op. 718 No. 11
Op. 821 No. 88
Gillock Capriccietto
Carnival in Rio
Castanets
Flamenco
Mission Bells
Mister Trumpet Man
Moonlight
Sarabande
Summertime Blues
Taking it easy
The Constant Bass
The Juggler
Yo-Yo Tricks
Läs mer
Op. 261 No. 69
Op. 481 No. 27
Op. 599 No. 56, No. 73, No. 86
Op. 718 No. 11
Op. 821 No. 88
Gillock Capriccietto
Carnival in Rio
Castanets
Flamenco
Mission Bells
Mister Trumpet Man
Moonlight
Sarabande
Summertime Blues
Taking it easy
The Constant Bass
The Juggler
Yo-Yo Tricks
Översikt
Hello, Mr. Gillock! Hello, Mr. Czerny!
Delightful Piano Pieces for all Occasions
Carl Czerny (1791-1857) and William Gillock (1917-1993) unfortunately did not have the opportunity to meet each other personally. But in her witty comic strips, Martina Schneider brings the two men together by means of a trans-Atlantic phone call. Both composers exchange brief comments about their masterpieces, musically demanding ''little'' etudes and studies. Though they each speak their own language, have no fear: its all translated! What the 27 ''Delightful Piano Pieces for All Occasions'' have in common is that they are all ideal both for teaching and recital purposes.
Delightful Piano Pieces for all Occasions
Carl Czerny (1791-1857) and William Gillock (1917-1993) unfortunately did not have the opportunity to meet each other personally. But in her witty comic strips, Martina Schneider brings the two men together by means of a trans-Atlantic phone call. Both composers exchange brief comments about their masterpieces, musically demanding ''little'' etudes and studies. Though they each speak their own language, have no fear: its all translated! What the 27 ''Delightful Piano Pieces for All Occasions'' have in common is that they are all ideal both for teaching and recital purposes.
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